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LA FRESH® Eco Beauty Waterproof Makeup RemoverONLY $9.99 We’re happy that waterproof makeup lasts all day, but when we’re ready for bed we want to take it off in a hurry. Thank goodness for these quick and convenient remover wipes. They erase all signs of stubborn mascara, liner, and lipstick while simultaneously moisturizing your skin. Not only are they completely but these remover pads have a wonderful, relaxing lavender scent from essential oils.
I Love my Amika travel iron. It’s so great for a quick straightening to my bangs when they don’t behave.
Mercedes-Benz Fashion Week Announces New Event Happenings
New York, NY (January 25, 2013) In just a couple of weeks the fashion industry will return to Lincoln Center for Mercedes-Benz Fashion Week. The Fall 2013 Collections will see over 90 of the world’s top designers debut their newest work on the runway and in unique presentations and special events. Today, IMG Fashion announced some exciting plans for the upcoming season.
Mercedes-Benz Fashion Week will kick off on Wednesday, February 6th with a special ribbon cutting ceremony at the amfAR New York Gala at Cipriani Wall Street. Celebrities and VIPs will join fashion’s biggest names at the annual gala to raise funds for the fight against HIV/AIDS. The ribbon cutting will mark the official beginning of the week’s activities and usher in another celebration of the best in fashion from around the world.
The Event Lobby will be transformed with numerous upgrades to facilitate a more gracious and productive experience for guests throughout the week. This season, a VIP media space will be created exclusively for editors, writers and photographers, to file stories, conduct interviews and operate their daily business needs. To take a break from the hectic day of shows, guests are invited to enjoy a drink and vibe to the tunes of the all new bar and DJ booth at the event.
The Mercedes-Benz Fashion Week Fall 2013 Collections will include shows from designers including: NICHOLAS K, TODD SNYDER, BCBGMAXAZRIA, RICHARD CHAI LOVE and RICHARD CHAI MEN’S, TIMO WEILAND WOMEN’S, TADASHI SHOJI, CANDELA, DAVID HART, SERGIO DAVILA, EDUN, CONCEPT KOREA, TIMO WEILAND MEN’S, KENNETH COLE, CZAR BY CESAR GALINDO, PROJECT RUNWAY, CARMEN MARC VALVO, NOON BY NOOR, NAUTICA, MONIKA CHIANG, REBECCA MINKOFF, IAN VALERDI, TOMMY HILFIGER, NICOLE MILLER, CHARLOTTE RONSON, ACADEMY OF ART UNIVERSITY, PARKCHOONMOO, RUFFIAN, MARISSA WEBB, LACOSTE, JILL STUART, SECOND/LAYER, SON JUNG WAN, MARA HOFFMAN, RAFAEL CENNAMO, HERVÉ LÉGER BY MAX AZRIA, KATYA LEONOVICH, RAIF ADELBERG, MONIQUE LHUILLIER, VENEXIANA, NINA SKARRA, LELA ROSE, DKNY, TRACY REESE, TRINA TURK, CUSTO BARCELONA, DIANE VON FURSTENBERG, JOANNA MASTROIANNI, Y-3, VIVIENNE TAM, ZAC POSEN, DAVID TLALE, RALPH RUCCI, EMERSON, ICB BY PRABAL GURUNG, MATHIEU MIRANO, CAROLINA HERRERA, PAMELLA ROLAND, DONNA KARAN NEW YORK, HERNAN LANDER, KAUFMANFRANCO, MM6 MAISON MARTIN MARGIELA, DL1961, BETSEY JOHNSON, REEM ACRA, TORY BURCH, J.CREW, STEVEN ALAN, BADGLEY MISCHKA, VERA WANG, JENNY PACKHAM, DIESEL BLACK GOLD, ADEAM, NAEEM KHAN, DENNIS BASSO, ELIE TAHARI, VANTAN TOKYO, BIBHU MOHAPATRA, BRANDON SUN, MICHAEL KORS, NANETTE LEPORE, RACHEL ZOE, J. MENDEL, LEATHER JAPAN, MILLY BY MICHELLE SMITH, FALGUNI AND SHANE PEACOCK, ANNA SUI, CLOVER CANYON, ZANG TOI, B MICHAEL AMERICA, RALPH LAUREN and CALVIN KLEIN COLLECTION.
Title sponsor Mercedes-Benz is joined by DHL, American Express®, Maybelline New York, TRESemmé, Style Network, WGSN, Fiber One® Bars, Samsung Mobile, Beck’s Sapphire, The New York Times, Women’s Wear Daily and Getty Images.
Project Runway’s Nathan McDonald 20 lbs of Chocolate kisses Dress
Project Runway had their unconventional challenge for the 10th season last night. The designers were each given $250 to rummage through Dylan’s Candy store in NYC. Since Ralph Lauren’s daughter and shop owner, Dylan was generous enough to give the designers 50% off, they were able to spend $500.
This was a sweet challenge. Some of the designer’s lived up to it while others couldn’t handle the challenge. Lots of licorice, jelly beans and gummy sharks. The winner used crushed rock candy. One designer burnt her hand.
NYC summer weekends are rather dead. There is a mass exodus from Manhattan’s scorching, muggy,one hundred degrees of hot concrete to the beaches in the Hamptons, Long Island or the Jersey shore.
Yesterday, I had a $400 Keratin, straightening treatment put in my hair, because I could no longer stand the unescapable frizz from the humidity. See myhairtalking.com. I was told by my hair stylist for the next four days I had to avoid sweating and getting my hair wet. Thus, I stayed in town.
I indulged my cultural life by heading for the Metropolitan Museum of Art to see the Prada costume exhibit. I was mesmerized by this fascinating, hypothetical diatribe between two Italian designers from different decades.
Elsa Schiaparelli and Miuccia Prada’s
Impossible Conversations at
May 10–August 19, 2012
Exhibition location: Special exhibition galleries, first floor
The spring 2012 exhibition organized by The Costume Institute of The Metropolitan Museum of Art is Schiaparelli and Prada: Impossible Conversations. The exhibition, on view from May 10 through August 19, 2012 (preceded on May 7 by The Costume Institute Gala Benefit), explores the striking affinities between these two Italian designers from different eras. Inspired by Miguel Covarrubias’s satirical “Impossible Interviews” for Vanity Fair in the 1930s, curators Harold Koda and Andrew Bolton orchestrate conversations between these iconic women to suggest new readings of the designers’ most innovative work.
The exhibition is made possible by Amazon.
Additional support is provided by Condé Nast.
“Given the role Surrealism and other art movements play in the designs of both Schiaparelli and Prada, it seems only fitting that their inventive creations be explored here at the Met,” said Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art. “Schiaparelli’s collaborations with Dalí and Cocteau as well as Prada’s Fondazione Prada push art and fashion ever closer, in a direct, synergistic, and culturally redefining relationship.”
The exhibition is organized by Harold Koda, Curator in Charge, and Andrew Bolton, Curator, both of the Met’s Costume Institute. Film director, screenwriter, and producer Baz Luhrmann is the exhibition’s creative consultant, and has created a series of filmed elements for the exhibition. The production design for the films is by Luhrmann’s longtime collaborator, Catherine Martin. The exhibition design is realized by Nathan Crowley, who serves as production designer (he was creative consultant for the Met’s exhibitionsSuperheroes: Fashion and Fantasy and American Woman: Fashioning a National Identity). All mannequin head treatments and masks are designed by Guido Palau.
The design for the 2012 Costume Institute Gala Benefit is created by Crowley and Raul Avila (who has produced the Benefit décor since 2007) with Luhrmann as creative consultant.
In the galleries, iconic ensembles by Schiaparelli and Prada are presented alongside short videos of simulated conversations between the two designers directed by Luhrmann, focusing on how the women explore similar themes in their work through very different approaches.
“Juxtaposing the work of Elsa Schiaparelli and Miuccia Prada allows us to explore how the past enlightens the present and how the present enlivens the past,” said Koda.
“The connection of the historic to the modern highlights the affinities as well as the variances between two women who constantly subverted contemporary notions of taste, beauty, and glamour,” added Bolton.
The exhibition, in the Metropolitan Museum’s first-floor special exhibition galleries, features approximately 100 designs and 40 accessories by Elsa Schiaparelli (1890–1973) from the late 1920s to the early 1950s, and by Miuccia Prada from the late 1980s to the present, drawn from The Costume Institute’s collection and the Prada Archive, as well as other institutions and private collections. Eight short videos created by Luhrmann, in which Prada talks with Schiaparelli, who is played by actress Judy Davis, animate the entry gallery and the seven themed sections of the exhibition and provide the thread that connects the objects. In the films, “Schiap” and Prada are seated at a dining table in dialogue that has been created using paraphrased excerpts from Schiaparelli’s autobiography, Shocking Life, and Prada’s filmed remarks. Visitors will have the impression of eavesdropping on a fantastical meeting of two great fashion minds.
The section of the exhibition entitled “Waist Up/Waist Down” looks at Schiaparelli’s use of decorative detailing as a response to restaurant dressing in the heyday of 1930s café society, while showing Prada’s below-the-waist focus as a symbolic expression of modernity and femininity. An accessories subsection of this gallery called “Neck Up/Knees Down” showcases Schiaparelli’s hats and Prada’s footwear. “Ugly Chic” reveals how both women subvert ideals of beauty and glamour by playing with good and bad taste through color, prints, and textiles.
“Hard Chic” explores the influence of uniforms and menswear to promote a minimal aesthetic that is intended to both deny and enhance femininity. “Naïf Chic” focuses on Schiaparelli and Prada’s adoption of a girlish sensibility to subvert expectations of age-appropriate dressing. “Classical Body” explores the designers’ engagement with antiquity through the gaze of the late-18th and early-19th centuries. “Exotic Body” touches on the influence of Eastern cultures through fabrics such as lamé, and silhouettes such as saris and sarongs.
“Surreal Body,” in the final gallery, illustrates how both women affect contemporary images of the female body through Surrealistic practices such as displacement, playing with scale, and blurring the boundaries between reality and illusion, natural and artificial.
Schiaparelli, who worked in Paris from the 1920s until her house closed in 1954, was associated closely with the Surrealist movement and created such iconic pieces as the ‘tear’ dress, the ‘shoe’ hat, and the ‘bug’ necklace. Prada, who holds a degree in political science, took over her family’s Milan-based business in 1978, and focuses on fashion that reflects the eclectic nature of Postmodernism.